Adore (FR): "That constant exchange of energy is really what we live for as DJs"
- Jul 20
- 3 min read
House music has always evolved through artists willing to reinterpret its roots rather than simply follow trends—and Adore (FR) embodies that mindset.
Hailing from the French Riviera, the DJ and producer duo has been crafting a sound that balances classic house foundations with soulful textures, percussive grooves, and a contemporary edge since 2015. Their sets reflect the same philosophy: energetic, instinctive, and built around creating genuine moments on the dancefloor.
That approach has not gone unnoticed. Their reimagining of Sing It Back caught the attention of influential names such as Black Coffee, Diplo, and Blond, highlighting the duo's ability to breathe new life into familiar records without losing their own identity.
More than chasing hype, Adore (FR) seems focused on building something with lasting value. In a scene that moves faster than ever, they remind us that the tracks people remember are often the ones that feel honest first—and fashionable second.
Your latest release, "Phenomenon" on Get Physical Music with Trulybles, has been generating attention. How did this collaboration come together, and what story or energy were you aiming to capture with the track?
It all started with the original LL Cool J track, which we’ve always loved. We played it to Trulybles, and he reinterpreted it in his own way: he kept the original topline but built his own thing around it. When we got the vocal back, we were instantly hooked, so we created a beat around it. Energy-wise, we wanted something groovy and hypnotic, a track that feels both nostalgic and fresh on the dancefloor. The idea was to stay true to our house roots while bringing a modern touch to it. And signing it on Get Physical made it even more special, it’s a label that has inspired us since our very beginnings, so it really felt like an accomplishment.
Your fresh take on "Sing It Back" received support from major artists such as Black Coffee, Diplo, and Blond:ish. What did that recognition mean for you, and how did it impact your artistic journey?
Honestly, it was surreal. These are artists we’ve looked up to for years, so seeing them play our music was a huge moment of validation. It gave us the confidence to trust our instincts and push our sound further. Seeing all these videos of huge artists playing our tracks at some of the biggest festivals in the world just felt unreal. It’s a crazy accomplishment for us, and it motivates us to keep making music and pushing forward.
As resident DJs at Radio Monaco and La Petite Plage in Golfe Juan, you play for very different audiences and settings. How do these experiences influence your musical selections and your connection with the crowd?
They’re two different exercises, but in the end they’re quite complementary. The tracks we play on the radio are often tracks we can also play at the beach. The energy is different, the way we play them is different, and it’s not always the same selection. It also depends on the context: warming up for a big artist like Kerri Chandler, Dennis Ferrer or Adam Ten is not the same as playing a full set on our own. What we love at La Petite Plage is that very close and direct connection with the people: they transmit their energy to us, and we give it back. That constant exchange of energy is really what we live for as DJs.
Your sound blends classic and modern house with soulful and percussive influences. What are the key inspirations currently shaping the musical identity of Adore (FR)?
For us, soulful and percussive are actually deeply connected. The eras of house we love the most have always had that percussive element. Our inspirations are artists like Masters At Work or Dennis Ferrer: even with all the soul and the melodies, there’s always strong percussion driving the track. And playing a residency on a beach on the French Riviera naturally pushes us towards those tribal rhythms, they just match perfectly with the energy of the beach and warm places in general.
Since launching the project in 2015, you’ve witnessed significant changes in the house music scene. What excites you most about the new generation of artists, and where do you see house music heading in the coming years?
What we love about the new generation is that they’re much more uninhibited than we were. They dare to try things, they have an audacity we maybe didn’t have at the time, and technology makes everything easier and more accessible. As for the future, house music is a genre that was born decades ago and has always brought people together, all backgrounds, all walks of life. That power of house music isn’t going anywhere. We just hope it stays as present as possible in the culture.
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