Marco Faraone criticizes the reinterpretations of classics
In today’s music scene, reworking classic tracks has become an increasingly common trend, regardless of genre. Marco Faraone, the renowned DJ and founder of UNCAGE, has sparked a heated debate on this topic by expressing his frustration with what he calls "poor quality" edits of timeless tracks that have flooded dance floors in the post-pandemic era. In a post on Threads, Faraone voiced his concerns, emphasizing that many classics are already perfect as they are and don’t need unnecessary alterations.
His words reflect a critique of the current trend, where music production seems to rely heavily on generic bass lines and over-the-top kicks, diluting the essence of the original works. “Sometimes the originals are perfect just as they are,” he says, calling for DJs to let the music breathe and allow the dance floor to feel the real rhythm.
The response from the music community has been significant, with support coming from well-known figures like UMEK and Mark Hes. UMEK echoed Faraone’s admiration for certain classics, stating that some tracks are so beautiful, he wishes he had written them himself. Hes took the discussion further, criticizing modern production for being driven by commercial motives rather than artistic quality, adding that today’s tracks won’t stand the test of time like the originals.
Faraone is not just a DJ; he is a custodian of music and a passionate advocate for artistic integrity. His remarks serve as an important reminder: in the rush to create new hits, we may lose sight of the beauty and uniqueness of the originals. Music, after all, is an art form that deserves to be celebrated in its most authentic state.
In conclusion, Faraone’s message is a call to reflect on what it truly means to rework a classic. Rather than altering the core of a track, DJs should embrace its essence, allowing the music to shine without compromise. In a time when creativity is sometimes sacrificed for profit, Marco Faraone's voice stands as a beacon of integrity in the turbulent waters of modern music production.
