The Liquid Dude: "Music isn't about control, it's about trusting yourself"
- Editorial Staff
- Nov 17, 2025
- 3 min read
The Liquid Dude is a new project with a story rooted in the past: a musician who moved through smoke-filled nights, broken monitors, and stacks of forgotten records, always on the sidelines, without photos or headlines. After a long pause spent listening and reflecting, the pull of music returned, persistent like a hum in the back of the mind. Today, The Liquid Dude is back with patched-up machines, rhythms that wobble between genres, and basslines that seem to melt at the edges, following whatever strange currents come next—without plans, campaigns, or mission statements.
Your story is described as one lost among names, nights, and smoke-filled rooms. How has this "invisible" experience influenced the way you produce music today?
Being invisible for a while helped me understand what really matters: the sound, not the noise around it. In those anonymous spaces, you see how easily identity gets blurred in the chase for attention. That made me value honesty and imperfection even more. My music today comes from that space, stripped of image, focused on emotion. It’s about staying true when everything around you tries to make you fade into sameness
In your new album "CAN I MUSIC?" you seem to embrace improvisation and the absence of a clear mission. How important is leaving space for the unexpected during your creative process?
It’s everything. The moment you plan too much, you start sounding like everyone else. Improvisation is where the real personality shows, it’s human, unpredictable, and alive. I want the machines to surprise me, to fail, to glitch, because that’s where new sounds and feelings appear. The unexpected keeps music honest
You mention broken machines and strange rhythms wobbling between genres. How do you balance experimentation with maintaining a cohesive sound?
For me, cohesion doesn’t come from style, but from intention. You can cross genres and textures as long as your message is clear. I like broken things because they feel real, not polished for profit. Experimentation is how I fight the corruption of predictability in music. I don’t chase trends; I chase the truth inside sound.
After a long break, what made you realize it was time to plug your gear back in and return to making music?
Because the scene hit rock bottom. Art has become a product, underground culture is exploited, and everything is designed to make money not meaning. I couldn’t stay silent while the scene suffocated itself in artificiality.
Underground music has always carried a kind of social power that mainstream culture fears: it gives voice to outsiders, pushes boundaries, and creates spaces where people can think, feel, and act differently. It’s dangerous because it resists control, challenges norms, and reminds society that culture isn’t just entertainment it’s a form of resistance. That’s why now feels like the right moment to spark a movement, to bring that energy back, and to show that music can still shape ideas, communities, and even rebellion.
You don’t seem interested in "taking over", but rather in following "whatever weird current" the music leads you to. How do you decide which directions to follow and let the creative flow guide you?
I follow what scares me, what confuses me, what refuses to fit into neat boxes. That’s where the truth hides. I try not to “decide” too much. Music isn’t about control, it’s about trust in yourself, your tools, and the moment. The weird currents are the only honest ones left. When I follow them, I feel free from the industry’s expectations. That freedom is what keeps me creating. Electronic music was born from rebellion, I just try to keep that spirit alive.
For me, following those currents isn’t just about making music it’s about keeping alive a space where people can think for themselves, feel freely, and experience culture that refuses to be controlled. That’s the kind of “danger” I care about: music that has teeth, ideas, and the power to change how we see the world.
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