Pumuki: "Music is cyclical, and every style has its time before fading away and eventually returning"

Pumuki is one of the most exciting emerging names in Madrid’s electronic music scene. As a DJ and producer, he has developed a distinctive sonic identity that blends dark disco, indie dance, and electroclash influences, combining hypnotic grooves, nocturnal atmospheres, and a strong melodic sensibility. His productions are marked by intricate sound design and Spanish-language vocals, creating a compelling balance between nostalgia and modernity, introspection and dancefloor energy.

With a recognizable aesthetic and a constant drive for sonic exploration, Pumuki is steadily gaining attention from audiences and industry professionals alike. His music crafts immersive emotional landscapes without sacrificing club-ready momentum, establishing him as one of the most promising artists in the new wave of electronic producers emerging from Madrid.

With this new EP, you have pushed your sound into an even more aggressive, electronic and direct direction. What inspired you to explore this darker side of Pumuki?

I’ve always been a big fan of electroclash, and although my productions have always contained touches of this style, lately I’ve been making it much more prominent. I recognize that I’m going through a period of change, but I draw a lot of inspiration from producers such as Anthony Rother, Johannes Heil, Kiko, Extrawelt, and others, especially from the 2000 to 2005 era, which was when this musical style reached its peak.

Across the three tracks, sharp synths, distorted basslines, hypnotic melodies and an afterhours atmosphere come together. How did you balance dancefloor energy with a strong sense of identity?

I believe that if you want to stand out and get noticed, you have to do something different. I realized that very few artists were combining these influences in the way I imagined, so I decided to blend the sounds I enjoy most from different styles. The result is what you’ve been hearing in my recent productions.

Underground club culture is a major presence in your music. Which experiences from Madrid’s nightlife had the biggest influence on the character of this EP?

Without a doubt, Copelia 101 had a huge impact on me. More than a club itself, it was the artists who came through Madrid that really inspired me. Mondo Disco was also very influential during the 2000s, and although I was only able to visit it once, Loft Club at Razzmatazz left a strong impression on me through the many recorded sets I listened to.

Your sound is often described as retrofuturistic. What does that concept mean to you, and how does it shape your production choices?

I see it as music that will have its moment again, but built upon styles from the past. Nowadays, I think almost everything new is based on something that already exists. What makes the difference is the personal touch that each producer brings, making it feel fresh and unique. Music is cyclical, and every style has its time before fading away and eventually returning. Electroclash, German techno, electro, and similar genres made such a strong impact on me that they remain a constant presence in both my DJ sets and my productions.

You released the EP through your own imprint, Flying Source. How important is it for you to have an independent platform where you can develop your vision without compromise?

For me, it’s something truly remarkable because many labels either don’t reply, don’t connect with your music, or simply prioritize established artists. Having my own platform has given me the opportunity to share my productions directly with the public without depending on anyone else. Thanks to that, labels now contact me directly to request music, remixes, or even DJ bookings at clubs.

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