THE ANCIENT KID: "I always try to create something new and follow my intuition"

The Ancient Kid is a music project shaped by instinct, contrast, and a constant push beyond familiar ground. Blending electronic textures with a raw, introspective edge, the sound shifts between tension and release, clarity and distortion.

Rather than fitting into a fixed genre, the project follows its own path — drawing from different influences and reworking them into something immediate and personal. Each track feels like a fragment of a larger story, where atmosphere and emotion take the lead over convention.

At its core, The Ancient Kid is about creating space: for reflection, for movement, and for moments that linger beyond the music itself.

Your new single "Ocean Of Dreams" has such an immersive vibe. What was the inspiration behind this track?

Well, my first inspiration was to create a song for myself that I would truly enjoy listening to without getting bored. My style is definitely emotional and carries a lot of deeper meaning. This track is primarily about my close relationship with God, but also about my inner world. I think it’s very important not to lose faith, especially these days.

Your music spans from melodic and progressive house to intense peak-time techno. How do you decide which style to explore in each production?

It always depends on my current mood. If I’m in a more emotional or introspective phase, I naturally lean towards darker and deeper sounds. At the same time, I think it’s important to work on different projects simultaneously. If you focus on just one track for too long, it can become exhausting and you lose perspective.

Being a multi-instrumentalist and producer, how does playing different instruments influence your creative process?

That’s a really interesting aspect for me, because it gives me a lot of new ideas and inspiration. I’m not limited to plugins or my DAW — I can pick up my guitar and just jam for hours, which often leads to melodies I later use in my tracks. Also, understanding music theory and chords is a huge advantage when writing any kind of music.

Growing up in Kyiv and now making a name in Germany’s electronic scene, how do your roots shape your sound?

Well, I grew up in a very free and wild environment, as a kid, I didn’t have that much parenting time, because my mom had to work like 14h a day and after school, where were no supervision. So I think this shaped my character a lot, especially my independence and my strong sense of identity. Staying true to myself and my vision of the sound,  this is the most important thing I have to remind myself over and over again. 

You’ve played at some of Germany’s most iconic clubs and festivals. Do you have any memorable experiences or stories from the stage? 

I wouldn’t say there’s one specific moment — it’s more a collection of experiences. Every gig is unique. What really stands out is that moment when the energy between you and the crowd aligns. When you feel that they truly connect with the music, you naturally give back even more, and it becomes this kind of infinite loop of energy. That feeling is priceless. Seeing people completely lose themselves on the dancefloor — that’s when I know I did a good job. And of course, when people come up to me and thank me for the music, that’s always a huge honor.

"Ocean Of Dreams" seems to blend dreamy atmospheres with energetic rhythms. How do you balance emotion and intensity in your tracks? 

That’s a good point. I think my music reflects who I am as a person. When I feel balanced internally, it naturally translates into my music. It’s less about forcing it and more about being in the right state of mind.

The electronic scene is constantly evolving. How do you keep your sound fresh and original without following trends?

Because I simply don’t follow trends. I’m constantly evolving my own sound, but I never try to be like someone else — honestly, that’s my worst nightmare. Individuality is extremely important to me. Unfortunately, a lot of artists today just copy what’s already working, which is why so much music sounds repetitive. I always try to create something new and follow my intuition in the moment I’m writing.

Which musicians have been the biggest inspirations for your creative style?

That’s quite a wide range, since I originally came from rock music. My early inspirations were artists like Sting, George Michael, Michael Jackson, and U2. Later I got into metal, and around the age of 18 I discovered electronic music, which completely changed everything for me. I started with house, and then gradually moved into techno and progressive house. In the electronic scene, some of my biggest influences have been Adam Beyer and Enrico Sangiuliano — I still love the earlier Drumcode sound. Artists like Kamilo Sanclemente, GMJ & Matter, and Patrice Bäumel have also had a strong impact on my style. My sets tend to be very groovy and rhythmic, which definitely comes from the soulful and funky influence of house music.

The techno and tribal rhythms in your music really connect with live audiences. How much does performing live influence your studio productions?

It’s like real-time testing. I get a feel for which sounds and rhythms are the most effective on the dancefloor. With my analytical mindset, I can then translate that into my productions and refine my sound — combining what works for the crowd while still staying true to my style.

Looking ahead, what projects or collaborations can fans expect from THE ANCIENT KID after “Ocean Of Dreams”?

I’m currently working closely with a very talented producer, Roman Lehmann, who is also involved with Pacha and Greenfields Festival in Munich. We started a really groovy techno track a few months ago, which is set to be released this summer. I’m also looking forward to collaborating with Mark Tarmonea, who has been a huge support and mentor for me. He’s been in the music industry for around 20 years and is one of the most powerful electronic acts I’ve ever seen. We’re also doing showcases together with his label Bull In A China Shop. If you haven’t checked out his music yet, you definitely should — you’ll fall in love with his voice, I promise.

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