Rimbano: "I combine that [Latin influence] with heavier basslines…to keep the focus on impact"
- Mar 27
- 3 min read
Rimbano is an Italian DJ and producer renowned for his distinctive tech house sound, blending powerful basslines, Latin-inspired percussion, and club-focused grooves. Signing his first record deal at just 16, he quickly gained international recognition with releases on acclaimed labels such as Hellbent Records, Sink Or Swim, and Glasgow Underground. His tracks, regularly supported by artists like John Summit, The Martinez Brothers, Cloonee, and Gordo, have charted in Beatport’s Top 100, cementing a sound designed to cut through and dominate the dancefloor—music that doesn’t just move feet, but sparks nights that linger in memory.
Your latest single, "Chase The Devil", a collaboration with Snooko on Hellbent Records by Cloonee, has a very powerful energy. How did this project come about, and what was the creative process behind it?
"Chase The Devil" came together very naturally. Snooko and I were already aligned in terms of direction, and once the initial idea was there, the track developed quickly. The goal was to create something with strong club impact but also a clear identity. We focused a lot on the groove and the tension created by the Latin elements, especially the trumpet riff, making sure every drop felt effective on big systems. Releasing it on Hellbent felt like the right home for that kind of energy.
Your music is known for combining heavy basslines with Latin-influenced percussion and club-focused grooves. Where do you draw inspiration for this distinctive fusion of styles?
My sound comes from a very clear intention: making records that work in clubs and still stand out. The Latin influence is something I naturally gravitated towards because of its rhythmic energy: it creates movement in a way that more standard patterns don’t. I combine that with heavier basslines and minimal structures to keep the focus on impact. It’s less about following a trend and more about refining a formula that consistently works on the dancefloor.
You started your career by signing your first record deal at just 16. Looking back, what challenges did you face growing up as such a young DJ and producer?
Starting that early forced me to figure things out faster than most. The main challenge was being taken seriously in an environment where experience matters a lot. I had to prove my value through the records, not through my age or background. It also meant learning the business side very quickly: dealing with labels, contracts, expectations. Looking back, it built a level of discipline and clarity that still defines how I approach the industry today.
Your tracks have received support from artists like John Summit, The Martinez Brothers, Cloonee, and Gordo. How does it feel to have your work supported by such influential names in the scene?
At this point, it feels like a natural consequence of the work I’ve been putting in. Support from artists like John Summit, The Martinez Brothers, Cloonee, and Gordo is important because it shows the records are connecting where they need to: in clubs and in DJ sets. More than validation, it’s a signal that I’m operating in the right space and at the right level.
Looking ahead, what new sounds or collaborations are you exploring, and what can fans expect from your upcoming releases?
Right now I’m focused on pushing my sound further while keeping it effective in clubs. I’ve been experimenting a lot lately, especially with more percussive-driven ideas and stronger identities in each record, rather than relying on a fixed formula. At the same time, I have a couple of important releases coming up, including one on Sola, Solardo’s label, which reflects the direction I’m moving towards. Going forward, the focus is on consistency: putting out records that translate on the dancefloor while continuing to evolve the sound in a way that feels intentional and recognisable.
Follow Rimbano
